{"id":121,"date":"2017-09-11T11:27:46","date_gmt":"2017-09-11T11:27:46","guid":{"rendered":"http:\/\/www.kristin-lewis.com\/?page_id=121"},"modified":"2017-11-12T20:20:52","modified_gmt":"2017-11-12T20:20:52","slug":"reviews","status":"publish","type":"page","link":"https:\/\/kristin.grafix-netz.de\/it\/reviews\/","title":{"rendered":"Recensioni"},"content":{"rendered":"<p>\t<\/p>\n<div class=\"reviews\">\n<div class=\"press\">\n<div class=\"press-articles_section press_section\"> <span class=\"press_headings\"><strong>Online articles<\/strong><\/span><\/p>\n<div class=\"callout press_callout\">\n<div class=\"press_article\"><strong>ARTICLE<\/strong>: Opera Wire<\/div>\n<h3 class=\"entry-title\"><a href=\"http:\/\/operawire.com\/artist-of-the-week-kristen-lewis-reaches-new-milestone-with-royal-opera-house-debut\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Artist Of The Week: Kristin Lewis Reaches New Milestone With Royal Opera House Debut<\/a><\/h3>\n<p>          <span class=\"press_mag\"><em>~ by <a href=\"http:\/\/operawire.com\/author\/franalejo1989\/\" alt=\"operawire.com author Francisco Salazar\" target=\"_blank\" class=\"external external_icon\" rel=\"nofollow\">Francisco Salazar<\/a><\/em><\/span>\n        <\/div>\n<div class=\"callout press_boxes grid-x grid-padding-x small-up-2\">\n<div class=\"callout press_callout cell\">\n<div class=\"press_article\"><strong>ARTICLE<\/strong>: Arts News<\/div>\n<h3 class=\"entry-title\"><a href=\"http:\/\/patrickdmccoy.com\/arts-news-american-soprano-kristin-lewis-set-make-royal-opera-house\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\"> American soprano Kristin Lewis set to make her Royal Opera House D\u00e9but<\/a><\/h3>\n<p>            <span class=\"press_mag\"><em>~ by <a href=\"http:\/\/patrickdmccoy.com\" alt=\"\/patrickdmccoy.com\" target=\"_blank\" class=\"external external_icon\" rel=\"nofollow\">Patrick D. McCoy<\/a><\/em><\/span>\n          <\/div>\n<div class=\"callout press_callout cell\">\n<div class=\"press_article\"><strong>ARTICLE<\/strong><\/div>\n<h3><a href=\"https:\/\/www1.meinbezirk.at\/josefstadt\/c-leute\/opern-star-schwer-verliebt-in-die-josefstadt_a1903485\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Opern-Star: Schwer verliebt in die Josefstadt<\/a><\/h3>\n<p>            <em>Ulrike Kozeschnik-Schlick<\/em> <span class=\"press_mag\"><em>~ <a href=\"https:\/\/www1.meinbezirk.at\/josefstadt\/c-leute\/opern-star-schwer-verliebt-in-die-josefstadt_a1903485\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">www1.meinbezirk.at<\/a><\/em><\/span>\n          <\/div>\n<div class=\"callout press_callout cell\">\n<div class=\"press_article\"><strong>ARTICLE<\/strong><\/div>\n<h3><a href=\"http:\/\/www.griotsrepublic.com\/discovering-opera-interview-kristin-lewis\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Discovering Opera: An Interview with Kristin Lewis<\/a><\/h3>\n<p>            <span class=\"press_mag\"><em>~ <em> Carol D. Anderson September 6, 2017<\/em> <a href=\"http:\/\/www.griotsrepublic.com\/discovering-opera-interview-kristin-lewis\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">www.griotsrepublic.com<\/a><\/em><\/span>\n          <\/div>\n<div class=\"callout press_callout cell\">\n<div class=\"press_article\"><strong>ARTICLE<\/strong>: Vienna Review<\/div>\n<h3 class=\"entry_title\"><a href=\"http:\/\/www.viennareview.net\/on-the-town\/on-stage\/kristin-lewis-la-diva-american-style\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Kristin Lewis: La Diva, American Style<\/a><\/h3>\n<p class=\"subtitle\">Arkansas-born opera singer Kristin Lewis made a \u2018luminous\u2019 Staatsoper debut as Aida in March<\/p>\n<p>            <span class=\"press_mag\"><em>~ <a class=\"author url fn external external_icon\" title=\"Posts by Alison Bethel\" href=\"http:\/\/www.viennareview.net\/author\/alison-bethel\" rel=\"author nofollow\" target=\"_blank\">Alison Bethel<\/a> on April 18, 2013<\/em><\/span>\n          <\/div>\n<\/p><\/div>\n<p>        <!--  end press-boxes-->\n      <\/div>\n<p>      <!-- end .press_articles_section--><\/p><\/div>\n<div class=\"press\">\n<div class=\"press_interviews_section press_section\"> <span class=\"press_headings\"><strong>Online interviews<\/strong><\/span><\/p>\n<div class=\"video_interviews\">\n<p><strong>The Israeli Opera&#8217;s production of Verdi&#8217;s opera &#8220;Aida.&#8221; at the base of Mount Masada<\/strong><\/p>\n<div class=\"video_interview\">\n<p><strong>CNN<\/strong><\/p>\n<div class=\"responsive-embed widescreen\">\n              <iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zt4zIdg4hWA?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe>\n            <\/div>\n<\/p><\/div>\n<div class=\"video_interview\">\n<p><strong>NTDTV<\/strong><\/p>\n<div class=\"responsive-embed widescreen\">\n              <iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7wbiw7egX44?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe>\n            <\/div>\n<\/p><\/div>\n<div class=\"video_interview\">\n<p><strong>NTDTV<\/strong><\/p>\n<div class=\"responsive-embed widescreen\">\n              <iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GaulYkP538k?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe>\n            <\/div>\n<\/p><\/div>\n<div class=\"video_interview\">\n<p><strong>US Embassy Vienna<\/strong><\/p>\n<div class=\"responsive-embed widescreen\"> <span class=\"press_opera\">Lee Brudvig interviews American soprano Kristin Lewis<\/span><br \/>\n              <iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/u99RGeCKK0A?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe>\n            <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>      <!--  end .press_interviews_section--><\/p><\/div>\n<div class=\"press_reviews_section press_section\"> <span class=\"press_headings\"><strong>Reviews<\/strong><\/span><\/p>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Aida<\/strong> (<span class=\"press_role\">Aida<\/span>) Opera Hong Kong, October 2017<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201cKristin Lewis, the most successful American soprano did full justice to the role of the title character. <span class=\"press_mag\"><em>~ Blouinartinfo.com<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Aida<\/strong> (<span class=\"press_role\">Aida<\/span>) Gstaad Menuhin Festival, September 2017<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201eEine gut fokussierte Stimme, reich an Obert\u00f6nen, eine majest\u00e4tische Erscheinung und eine rare Mischung von Pianokultur und aufbl\u00fchender Emphase.\u201c <span class=\"press_mag\"><em>~ Der Bund<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Il Trovatore<\/strong> (<span class=\"press_role\">Leonora<\/span>) Teatro del Liceu Barcelona, July 2017<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201eThe young soprano fulfilled especially in pages as difficult as the well-known aria &#8220;D&#8217;amor sull&#8217;ali rosee&#8221;, in which she showed some beautiful treble and good technique in the pianissimi.\u201c <span class=\"press_mag\"><em>~ <a href=\"https:\/\/bachtrack.com\/de_DE\/critica-barcelona-liceu-rechi-callegari-rucinski-cornetti-trovatore-july-2017\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Backtrack.com<\/a><\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Don Carlo<\/strong> (<span class=\"press_role\">Elisabetta<\/span>) Deutsche Oper Berlin, July 2017<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201eAls Elisabetta hat Kristin Lewis B\u00fchnenpr\u00e4senz in sich, hoheitsvolle Ausstrahlung. S\u00e4ngerisch bietet sich ein Chiraoscuro-Bild&#8230;welch klangliches Fluten ist in dem As auf fior (in Tu che le vanit\u00e0) h\u00f6rbar, wie pr\u00e4sent ist das tiefe Brustregister. Also, Lewis Rollenportr\u00e4t ist vielschichtig und reich.\u201c <span class=\"press_mag\"><em>~ Opern- &amp; Konzertkritik Berlin<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Don Carlo<\/strong> (<span class=\"press_role\">Elisabetta<\/span>) Royal Opera House, May 2017<\/span><\/p>\n<blockquote class=\"press_quote\"><p> \u201eKristin Lewis revealed an ample and elegant lyric soprano that came beautifully into focus for her big scene in Act V.\u201c <span class=\"press_mag\"><em>~ <a href=\"http:\/\/www.telegraph.co.uk\/opera\/what-to-see\/don-carlo-royal-opera-house-review\/\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Telegraph.co.uk<\/a> <\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>\u201eDon Carlo\u2019s beloved Elizabeth, American soprano Kristin Lewis made a huge impact in her House debut after a slightly nervous start. Her duet with Carlo in Act II was beautifully sung, and her monologue in Act V exhibited huge power and lovely high notes.\u201c <span class=\"press_mag\"><em>~ <a href=\"http:\/\/Markonan.com\" class=\"external external_icon\" rel=\"nofollow\" target=\"_blank\">Markonan.com<\/a><\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>\u201eMeanwhile, America soprano Kristin Lewis brought a lovely voice and intense anguish to the role of Elizabeth of Valois, sacrificing her happiness for her country.\u201c <span class=\"press_mag\"><em>~ <a href=\"http:\/\/Express.co.uk\" class=\"external external_icon\" rel=\"nofollow\" target=\"_blank\">Express.co.uk<\/a><\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>\u201eKristin Lewis\u2019s Elizabeth, there seemed to be nothing her <em>spinto<\/em>-soprano couldn\u2019t do, travelling effortlessly from her capacious <em>mezzo<\/em> voice to her gleaming heights and spinning miraculous control of tone and dynamics.\u201c <span class=\"press_mag\"><em>~ <a href=\"http:\/\/Classicalsource.com\" class=\"external external_icon\" rel=\"nofollow\" target=\"_blank\">Classicalsource.com<\/a><\/em><\/span> <\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Porgy and Bess<\/strong> (Bess) Teatro alla Scala, November 2016<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201cKristin Lewis, already known to the public, as Aida&#8217;s protagonist and La Cena delle Beffe&#8230;.is Bess, scenically sensual and flirtatious, pompous and brilliant; voice authoritative by the burnished and dense timbre.\u201c <span class=\"press_mag\"><em>~ Connessi all\u2018Opera <\/em><\/span> <\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Hollywood in Vienna<\/strong> (<span class=\"press_role\">Soprano<\/span>) Wiener Konzerthaus, October 2016<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201cKristin Lewis, the most successful American soprano did full justice to the role of the title character. <span class=\"press_mag\"><em>~ Soundtrackfest.com<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Un Ballo in Maschera<\/strong> (<span class=\"press_role\">Amelia<\/span>) Vienna State Opera, January 2016<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201eMaking her Staatsoper debut as Amelia, Arkansas-born soprano Kristin Lewis came with considerable expectations.. Comparisons with the formidable Leontyne Price were obvious. There is excellent breath control, outstanding projection, clean fioratura, an ability to spin a long Verdian phrase and a refulgent top register. The big \u201cEcco l\u2019orrido campo\u201d scena had all the gutsy chest notes, top B naturals and strong high C. The more lyrical \u201cMorr\u00f2, ma prima in grazia\u201d was technically sound.\u201c <span class=\"press_mag\"><em>~ <a href=\"https:\/\/bachtrack.com\/en\/review-ballo-maschera-vargas-lewis-wiener-staatsoper-january-2016\" target=\"_blank\" rel=\"noopener nofollow\" class=\"external external_icon\">Backtrack.com<\/a><\/em><\/span> <\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>La Boheme <\/strong>(<span class=\"press_role\">Mimi<\/span>) Teatro La Fenice, Mai 2014<\/span><\/p>\n<blockquote class=\"press_quote\"><p>&#8220;Um die gro\u00dfen Leistungen der Sopranistin Kristin Lewis zitieren fragile Mimi glaubw\u00fcrdig, wenn auch bemerkenswerte B\u00fchnenpr\u00e4senz mit ihrer kraftvollen Stimme, sauber und voller Nuancen.&#8221; <span class=\"press_mag\"><em>~ Whipart.it &#8211; Associazione Onlus<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Un Ballo in Maschera <\/strong> (<span class=\"press_role\">Amelia<\/span>) les Chor\u00e9gies d&#8217;Orange, August 2013<\/span><\/p>\n<blockquote class=\"press_quote\"><p>&#8220;Amelia was young American soprano Kristen Lewis (born in Arkansas) who went directly from the University of Tennessee to Vienna where she has blossomed into a proto-Verdi soprano who also sings Mimi. She possesses a voice of pure, sweet sound, of ample force that she uses in high Italianate style. Plus she has mastered natural looking acting gestures appropriate to big singing.&#8221; <span class=\"press_mag\"><em>~ Michael Milenski, Opera Today.<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Verdi Requiem<\/strong> (<span class=\"press_role\">Soprano Soloist<\/span>) Dresden Music Festival May 2013<\/span><\/p>\n<blockquote class=\"press_quote\"><p>&#8220;The attractive voice of American soprano Kristin Lewis&#8230; revealing a bright yet pure timbre with a fine projection, heard to its best affect in the <em>Libera me<\/em> a true highlight of the performance.&#8221; <span class=\"press_mag\"><em>~ Michael Cookson <em>Seen and Heard International<\/em><\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Aida <\/strong>(<span class=\"press_role\">Aida<\/span>) Vienna Staatsoper March 2013<\/span><\/p>\n<blockquote class=\"press_quote\"><p> &#8220;Roars of bravas were awarded Kristin Lewis, a \u201clittle girl from Little Rock,\u201d who has mastered the Verdi lirico-spinto repertoire in Italy\u2019s major houses over the last few years and for whom the time was right for her Staatsoper debut as Aida. A beautiful woman with a luminous stage presence and a luscious, dark voice, she scored a triumph with her elegant, sensitive phrasing highlighted by ethereal pianissimos, held, seemingly, forever&#8230; Her greatest feat was conquering the treacherously difficult Act 3 scena beginning \u201cQui Radam\u00e8s verr\u00e1?\u201d that leads to the aria \u201cO patria mia,\u201d featuring a notorious exposed mid-phrase high C, and ending in floated pianissimos. I would have to go back to the heyday of Montserrat Caball\u00e9 for such an exquisitely sculpted rendition&#8230; At the reception honoring Lewis after the performance, Staatsoper Intendant Dominique Meyer proclaimed her \u201cthe new Viennese soprano.\u201d <span class=\"press_mag\"><em>~ Larry Lash Musical America Worldwide<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Ballo<\/strong> (<span class=\"press_role\">Amelia<\/span>) Teatro Regio di Parma Oct 2011<\/span><\/p>\n<blockquote class=\"press_quote\"><p>&#8220;&#8230; cos\u00ec come ha messo a dura prova la vocalit\u00e0 alla fine vittoriosa di Kristin Lewis. Il suo strumento \u00e8 assolutamente di prim\u2019ordine per calore, timbro e corposa robustezza, ed \u00e8 gestito con sufficiente accortezza dalla giovane e bella cantante la quale sembra incamminarsi con invidiabile sicurezza sul cammino tracciato dalla gloriosa Leontyne Price.&#8221; <span class=\"press_mag\"><em>~ Giorgio Gualerzi<\/em><\/span> <\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>I Pagliacci <\/strong>(<span class=\"press_role\">Nedda<\/span>) Teatro San Carlo July 2011<\/span><\/p>\n<blockquote class=\"press_quote\"><p>Incantevole scenicamente e vocalmente quasi ineccepibile, Kristin Lewis ha conquistato la scena con personalit\u00e0 seduttiva. L&#8217;annotazione \u201cpensierosa\u201d apposta dall&#8217;autore all&#8217;aria di Nedda \u201cQual fiamma avea nel guardo!\u201d \u00e8 stata mediata in canto, mimica facciale e corporea dal soprano di Little Rock. <span class=\"press_mag\"><em>~ Oltrecultura: Periodico di Informazione, Spettacolo e Cultura.<\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p> &#8220;Incantevole scenicamente e vocalmente quasi ineccepibile, <strong>Kristin Lewis<\/strong> ha conquistato la scena con personalit\u00e0 seduttiva. L&#8217;annotazione \u201cpensierosa\u201d apposta dall&#8217;autore all&#8217;aria di Nedda \u201c<strong>Qual fiamma avea nel guardo<\/strong>!\u201d \u00e8 stata mediata in canto, mimica facciale e corporea dal soprano di Little Rock.&#8221; <span class=\"press_mag\"><em>~ Oltrecultura: Periodico di Informazione, Spettacolo e Cultura.<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>I Pagliacci <\/strong>(<span class=\"press_role\">Nedda<\/span>) Teatro Massimo Feb 2011<\/span><\/p>\n<blockquote class=\"press_quote\"><p>Bravissimi tutti gli interpreti, con una speciale menzione per Kristin Lewis perfetta Nedda\/Colom-bina, dalle notevoli capacit\u00e0 canore gi\u00e0 affinate, e per Alberto Gazale, che aggiunge alle capacit\u00e0 dell\u2019ugola una innata eleganza attoriale, che ne fa un beniamino del pubblico. All\u2019uscita dal Massimo, verso il mondo \u201creale\u201d nella \u201cteatrale\u201d piazza Bellini, ci sentiamo tutti un po\u2019 Nedda, che sogna la libert\u00e0 degli uccelli \u201cche vanno per le vie del ciel\u201d. Noi voliamo con la lirica.&#8221; <span class=\"press_mag\"><em>~ Scritto da Francesco Nicolosi Fazio <em>&#8211; inscenaonline.altervista.org<\/em><\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p> &#8220;Da evidenziare in Pagliacci la travolgente interpretazione del soprano lirico spinto americano Kristin Lewis (Nedda), cantante di elevato spessore artistico e di altissima sensibilit\u00e0 musicale.&#8221; <span class=\"press_mag\"><em>~ Giovanni Pasqualino www.bellininews.it <\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Trovatore<\/strong> (<span class=\"press_role\">Leonora<\/span>) Teatro Comunale Firenze Oct 2009<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201cThe real surprise was the young Arkansas soprano Kristin Lewis; a true soprano assoluto with a very large extension, a pure emission, an excellent coloratura and the skill to go up quite naturally to the highest tonalities and going down, equally naturally, to the lowest. She lives in Vienna and sings mostly in Europe. It is easy to foresee that she will go far.\u201d <span class=\"press_mag\"><em>~ Giuseppe Pennisi Opera Today.com<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Trovatore <\/strong>(<span class=\"press_role\">Leonora<\/span>) Bassano del Grappa Nov. 2009<\/span><\/p>\n<blockquote class=\"press_quote\"><p>\u201c&#8230;soprattutto per Kristin Lewis: intenso soprano statunitense, che ha conquistato letteralmente il pubblico con la sua interpretazione di Leonora.\u201d <span class=\"press_mag\"><em>~ Alessandro Tich Bassanonet.it <\/em><\/span> <\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>\u201cKristin Lewis ha finalmente liberato la forza sentimentale della linea di canto di Leonora, tenendo in equilibrio espressivit\u00e0 e tecnica\u201d <span class=\"press_mag\"><em>~ Cesare Galla Il Giornale di Vicenza.it<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Aida<\/strong> (<span class=\"press_role\">Aida<\/span>) Operaestate Festival Veneto 2008<\/span><\/p>\n<blockquote class=\"press_quote\"><p>&#8220;Nel ruolo \u00e8 una giovane statunitense afroamericana, il soprano Kristin Lewis, voce sopraffina, con grandi doti di caratterizzazione e di scavo nel personaggio.&#8221; <span class=\"press_mag\"><em>~  Eva Purelli, Bassano del Grappa November 2008 <\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>&#8220;Mai visto un incontro padre-figlia, nel terz\u2019atto, pi\u00f9 brutale e vero: alle fatidiche gole di Napata si arriva in un crescendo spasmodico di tensione, dai tratti persino animaleschi. E la di Kristin Lewis e l\u2019Amonasro di Marco Vratogna non solo sono quelli che cantano meglio, ma che fanno teatro, come Verdi voleva.&#8221; <span class=\"press_mag\"><em>~ Carla Moreni, Padova November 2008<\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>&#8220;&#8230;espressivit\u00e0 sostenuta e buona fecondit\u00e0 tecnica di Kristin Lewis nel ruolo di Aida, che con estrema arditezza comunica stati d\u2019animo variegatissimi, dalla tristezza alla disperazione, alla dolcezza struggente&#8230;&#8221; <span class=\"press_mag\"><em>~ Antonella Iozzo, Blue Arte November 2008<\/em> <\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>IL Trovatore<\/strong> (<span class=\"press_role\">Leonora<\/span>) Teatro Carlo Felice <\/span><\/p>\n<blockquote class=\"press_quote\"><p>Felice si \u00e8 dimostrata la scelta de Kristin Lewis, quale Leonora. Prima di tutto ha timbro pregovole, con un che di intrigante, che \u00e8 tipico dei soprani neri. Poi ha solita tecnica che le assicura bella linea. Fin dalla sortita pu\u00f2 dare coerenza alla melodi\u00e0, assecondandone l&#8217;espansione anche nella regione acuta che ha elastica e incisiva. Si conferma valida contante anche nella scomoda cabaletta, con pregevole esecuzione dei trilli veloci. L&#8217;avremmo voluta piu area nella grande frase del Concertato, (Sei tu dal ciel disceso). Si fa ammirare in &#8220;D&#8217;amore sull&#8217;ali rosee&#8221;, che canta come \u00e8 scritta, comprese le rare varianti all&#8217;acuto, quasi sempre omesse. Dopo il &#8220;Miserere&#8221; riesce ad arrivare fresca alla micidiale Cabaletta, chiusa con sonoro do. Per questo non teme le agilit\u00e0 del Duetto con il Conte e modula con abbandono, quando intona, &#8220;prima che d&#8217;altri vivere.&#8221; <span class=\"press_mag\"><em>~  L&#8217;Opera April 2008 <\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Aida <\/strong>(<span class=\"press_role\">Aida<\/span>) St\u00e4dtische B\u00fchnen M\u00fcnster<\/span><\/p>\n<blockquote class=\"press_quote\"><p>Glanzvoll die Aida der Kristin Lewis: Mit reizvollem, bis in die tiefen Register gerundeten Klang lie\u00df sie die schwierige Sopranpartie erstrahlen, ohne je forcieren zu m\u00fcssen. Dass ihre gro\u00dfe Stimme selbst ein Piano wie ein leicht abgeschw\u00e4chtes Mezzoforte klingen l\u00e4sst, nimmt man als Besonderheit staunend zur Kenntnis \u2013 auf diese Weise hatte sie die M\u00f6glichkeit, auch in den Auseinandersetzungen mit Aidas Vater Amonasro musikalisch zu dominieren. Und das gab dem Vater-Tochter-Konflikt einen eigenen Reiz, denn Anton Keremidtchiev, der Interpret dieser kurzen Baritonpartie, gestaltete den aggressiven K\u00f6nig von \u00c4thiopien s\u00e4ngerisch nicht plakativ, sondern mit Eleganz: Ein starkes Rollenportr\u00e4t. <span class=\"press_mag\"><em>~ <a href=\"http:\/\/www.westfaelische-nachrichten.de\/aktuelles\/kultur\/nachrichten\/?em_cnt=124632&amp;\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" class=\"external external_icon\">Westf\u00e4lische Nachrichten<\/a><\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p> &#8230;\u00dcberragend Kristin Lewis in der Titelrolle, die Piano-T\u00f6ne zauberte, bei denen das Blut in den Adern gefror. Das gro\u00dfe Duett Aida\/Amneris zu Beginn des zweiten Aktes: zwei vortrefflich zueinander passende Stimmen! Dann Aidas Zwiesprache mit Radames am Nilufer \u2013 ganz intensive Augenblicke! <span class=\"press_mag\"><em>~ <a href=\"http:\/\/www.opernnetz.de\/seiten\/rezensionen\/muen_aida.htm\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" class=\"external external_icon\">Opernnezt.de<\/a><\/em> <\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p> &#8230;Eine stimmlich begnadete, facettenreiche Aida gab Kristin Lewis in wundersch\u00f6nem Gewand. Dramatisch, dynamisch differenziert und selbst in h\u00f6chster Fortissimo-Erregung zu leisen Zwischent\u00f6nen zur\u00fcckkehrend, stellte sie beeindruckend die Zerrissenheit zwischen Liebe und Vaterlandstreue dar. Einfach ein Genuss! <span class=\"press_mag\"><em>~ <a href=\"http:\/\/www.omm.de\/veranstaltungen\/musiktheater20072008\/MS-aida.html\" target=\"_blank\" rel=\"noopener noreferrer nofollow\" class=\"external external_icon\">Online musik Magazine<\/a> <\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\"> <span class=\"press_opera\"><strong>Don Giovanni<\/strong> (<span class=\"press_role\">Donna Anna<\/span>) Opera Birmingham <\/span><\/p>\n<blockquote class=\"press_quote\"><p>Top vocal honors go to Kristin Lewis (Donna Anna), whose rich-hued soprano was as natural as it was confident and powerful. <span class=\"press_mag\"><em>~ The Birmingham News April 2006<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\">\n<p class=\"press_opera\"><strong>Don Giovanni<\/strong> (<span class=\"press_role\">Donna Elvira<\/span>) Opernfestspiele Heidenhei<\/p>\n<blockquote class=\"press_quote\"><p>&#8220;Also of an international level is Kristin Lewis, who as Donna Elvira brings an intoxicating, elegantly produced soprano into play.&#8221; <span class=\"press_mag\"> <em>Heidenheimer Zeitung July 2005 <\/em><\/span><\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>Kristin Lewis as Donna Elvira portrays a temperamental, jealous wife who wants to win back Don Giovanni. And this she does with a beautiful, strong and dark-timbred soprano voice.&#8221; <span class=\"press_mag\"><em>~ Heidenheimer Neue Presse July 2005<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\">\n<p class=\"press_opera\"><strong>La Boheme<\/strong> (<span class=\"press_role\">Mimi<\/span>) Opera Birmingham<\/p>\n<blockquote class=\"press_quote\"><p>&#8220;Soprano Kristen Lewis answered with wells of emotion, tender beauty and powerful vocal surges. Lewis&#8217; Act 4 farewell aria touched the soul.&#8221; <span class=\"press_mag\"><em>~ The Birmingham News &#8211; March 2007<\/em><\/span> <\/p><\/blockquote>\n<p class=\"press_opera\"><strong>La Boheme<\/strong> (<span class=\"press_role\">Musetta<\/span>) Sarasota Opera<\/p>\n<blockquote class=\"press_quote\"><p> &#8220;Lewis delivered Musetta&#8217;s music with enormous sound and a saucy stage presence.&#8221; <span class=\"press_mag\"><em>~ Sarasota Herald Tribune February 2006<\/em><\/span><\/p><\/blockquote><\/div>\n<div class=\"press\">\n<p class=\"press_opera\"><strong>Dead Man Walking<\/strong> (<span class=\"press_role\">Sister Rose<\/span>) Semperoper Dresden<\/p>\n<blockquote class=\"press_quote\"><p> The discovery of the evening has to be Kristin Lewis, who, with her precisely articulated, crystal clear soprano, imparts a personal touch to Sister Rose.&#8221; <span class=\"press_mag\"><em>~ S\u00e4chsische Zeitung -May 2006<\/em><\/span> <\/p><\/blockquote>\n<blockquote class=\"press_quote\"><p>&#8220;Kristin Lewis as Sister Rose plays the piano with virtuosity, but is also affective on the keyboard of the o<\/p>","protected":false},"excerpt":{"rendered":"<p>Online articles ARTICLE: Opera Wire Artist Of The Week: Kristin Lewis Reaches New Milestone With Royal Opera House Debut ~ by Francisco Salazar ARTICLE: Arts News American soprano Kristin Lewis set to make her Royal Opera House D\u00e9but ~ by Patrick D. McCoy ARTICLE Opern-Star: Schwer verliebt in die Josefstadt Ulrike Kozeschnik-Schlick ~ www1.meinbezirk.at ARTICLE [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page-full-width.php","meta":{"footnotes":""},"class_list":["post-121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/pages\/121"}],"collection":[{"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/comments?post=121"}],"version-history":[{"count":0,"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/pages\/121\/revisions"}],"wp:attachment":[{"href":"https:\/\/kristin.grafix-netz.de\/it\/wp-json\/wp\/v2\/media?parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}